By T. Meyer
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Additional resources for After Effects Apprentice - Real-World Skills
Feel free to tweak your initial selection using the color picker. If the flower is now too prominent in the final composite, move to its last Opacity keyframe and alter the final opacity to taste. 43 For a final touch of dimension, select Solid Bar and apply Effect > Perspective > Bevel Alpha to add an edge to it. You can scrub the Edge Thickness value to change its size. Save your project! 43 The final composition. Of course, yours does not have to look exactly like ours; feel free to exercise your own design judgment to arrange and animate the layers the way you see fit!
Lesson 1 — B A S I C A N I M AT ION 30 ĭ Importing Layered Photoshop and Illustrator Files In this lesson, you learned how to build a composition from scratch in After Effects by importing sources, dragging them into a comp, arranging them to taste, and animating them. Indeed, this is our preferred way of working. However, some of you may be more familiar working in Photoshop or Illustrator, and may want to start your project there. Perhaps you work for a company with a separate print department where they use Photoshop or Illustrator, and they want to hand you their files to now animate for video or the web.
7 You will now have two new items in the Project panel: a comp and a folder, both named Butterfly Arrangement. Double-click the comp to open it; you will see a stack of layers representing the individual layers in the Photoshop file. Back in the Project panel, double-click the Butterfly Arrangement Layers folder to twirl it open; each layer will be there as a footage item. We’re sure you can quickly see how flexible this option can be. However, there are some limitations: The individual layers have already been scaled down, and in some cases treated by effects.